Other works in Paris included an apartment constructing at 137 boulevard Raspail (1922), next to certainly one of his earlier buildings at 26 rue Vavin; Quantity 4 and 6, Avenue Sully-Prudhomme in the 7th arrondissement, a constructing crowned with sculptural decoration by François Pompon; and in 1924, the building at 14-16 boulevard Raspail, Paris in the seventh arrondissement; the constructing at 22-24 rue Beaujon, Paris within the 18th arrondissement; at forty two rue de la Pomp in the 16th arrondissement; and at 50 avenue Duquesne and 12 rue Éblé in the seventh arrondissement. These are discovered at 20 rue Severo within the 14th arrondissement, (1905). 1 rue de la Chine in the twentieth arrondissement (1907), 1 rue Ferdinand-Flocon in the 18th arrondissement Paris (1912), and one within the port city of Le Havre, at 26 rue Jean-Macé (1911). In all of those buildings he adopted the rules of rational and hygienic design which had been expressed in the writings of Eugène Viollet-le-Duc.

He designed two film theaters in Paris; the Sèvres, at 80 rue de Sèvres in the 7th arrondissement, inbuilt 1920 and destroyed in 1975; and the Gambetta-Palace, at 6 rue Belgrand, in the twentieth arrondissement, in-built 1920. The art deco inside of this theater has been remade right into a cineplex, and the entrances have been modified, but the facade is in its authentic type. Nonetheless, he only applied the system in two buildings; at 26 rue Vavin in the 6th arrondissement, and in an apartment constructing at thirteen rue des Amiraux. From 1929 until 1931, he taught architecture on the École nationale supérieure des arts décoratifs. Hitchcock as one of the pioneers of modernist architecture. He was also one in every of the primary artists of his era to recognize the tip of the period of Art nouveau, which he abandoned in 1909. In 1913, Just earlier than the first World War, Sauvage built a brand new construction for Louis Majorelle in what later became often called Art déco, making him, together with Auguste Perret, one of many pioneers in this type. 342-348. F. Jourdain, "La villa Majorelle à Nancy", La Lorraine artiste, n°16, 15 août 1902, pp. L.-Ch. Boileau, « Causerie - La villa Majorelle », L’Architecture, n°40, 5 octobre 1901, p.

105-114. A. Goissaud, « Exposition des arts décoratifs », La Construction moderne, three Could 1925, p. Sept étages pour déshonorer un site », Bulletin de l’art ancien et moderne, novembre 1932, p. J.-B. Minnaert, « Allégorie du système de construction en gradins », dans Alain Guiheux et Jean Dethier (dir.), La Ville, Artwork et Structure en Europe 1870-1993, catalogue d’exposition, Paris, Centre Georges Pompidou, 1994, p. M. Chrétien-Lalanne, « Promenade d’un sceptique à travers l’Exposition des arts décoratifs et industriels modernes », L’Architecture, 25 April 1925, p. Along with his works in Paris, in 1925, Sauvage constructed a villa for Jean Hallade at Combs-la-Ville, and, in 1926, two villas in a rationalist type, חופשת קזינו בורנה (dicerolle.com) one for himself Saint-Martin-la-Garenne in the Yvelines Department, and a residence for Julien Reinach, at eleven villa Madrid in Neuilly-sur-Seine, within the Paris suburbs. In 1930, Sauvage became engaged in his remaining massive mission, the growth of the department store La Samaritaine, a city landmark in the middle of town next to the Seine.

The facades of the new Samaritaine allowed Sauvage to observe on a monumental scale the techniques which he earlier had solely been in a position to make use of on costly smaller buildings for personal clients; Vast walls of home windows, full of gentle, made the store a luminous landmark of the new style in the guts of historic Paris. In reconstructing and increasing the shop, Sauvage preserved most of the artwork nouveau touches and decorations of the sooner constructing, whereas making a new Paris landmark of artwork deco design. From 1929 to 1932, he constructed a seven-story art deco apartment constructing known as Vert-Galant at 42 quai des Orfèvres, subsequent to the historic Place Dauphine and Palais de Justice, upsetting a strong reaction from historic preservationists. In 1911, Sauvage and Sarazin constructed a brand new apartment constructing in the 16th arrondissement which had a novel feature on its floor floor; an iron and glass purchasing gallery, the Cité d'Argentine, an up to date version of the Passages of the late 18th and early 19th century. He and Sarazin founded an organization, Société anonyme de logements hygiéniques à bon marché (The corporate for hygienic and low-price housing). L’œuvre de la Société Anonyme des Logements Hygiéniques à Bon Marché, Paris s.d.